Japanese clothes retailer Uniqlo has found a novel way of encouraging U.K. shoppers give the brand a big presence on Twitter — by reducing the price of clothing pieces every time someone sends a tweet about an item. The “Lucky Counter” promotion has been running ahead of the relaunch of Uniqlo’s U.K. e-commerce site this week, and has seen the brand’s name appear in Twitter’s trending topics list for the country. In a web page dedicated to “Lucky Counter,” users can choose from 10 pieces they would like to see discounted on the website when it relaunches on September 9.
Consumerist points us to an interesting Heinz ketchup bottle that features an unusually prominent call to action, asking users to friend the brand on Facebook.
Tipp-Ex invites viewers to script ending in YouTube spot
An innovative use of YouTube by correction fluid brand Tipp-Ex offers viewers the chance to choose what happens next in a video clip after a reluctant hunter refuses to shoot a grizzly bear.
When tactics arent enough: the Tipp-Ex viral (asourceofinspiration.com)
An Interactive YouTube Campaign By Tipp-Ex (mindjumpers.com)
Uniqlo’s U.K. Twitter Campaign Looks to Be a Perfect Fit for Retailer (adage.com)
Adventures in Advertising: Youtube + Tipp-Ex (tech.fortune.cnn.com)
Tipp-Ex Lets You Make A Hunter Hump A Bear In Interactive YouTube Campaign (socialtimes.com)
This Week’s Best YouTube Ad Campaign: Tipp-Ex Impresses With Custom Interactive YouTube Video (reelseo.com)
Interaction Video Key To Viral Success (viralblog.com)
Boring Product, Great Ad: Tipp-Ex Channels Subservient Chicken (clickz.com)
Amazing New Interactive Youtube Campaign By Tipp-Ex – Bear Included (marketingconversation.com)
Interactive YouTube Video Clips The Next Trend For Viral Videos? (elliottlemenager.com)
Historypin, created by the social movement We Are What We Do, who are partners with Google, is a virtual time machine that allows users to take a peek at what the world looked like way back when. The website, which launched in London in June 2010 uses Google Maps and Street View tech and hopes to become the largest user-generated archive of historical images.
Goodby Promotes Gareth Kay to Director of Brand Strategy
The inexorable rise of Gareth Kay. Always great to see one of the good guys getting to the top. And he’s rid himself of that perplexing title of “director of *digital* strategy” to boot. (Is digital strategy different? That’s a mindset rather than a different discipline, surely?)
Pringles lampoons social media addicts
Pringles is promoting its ‘sharing’ positioning with a light-hearted campaign that pokes fun at social media fanatics. The activity, created by Wunderman and called ‘The Oversharers’, appeals to consumers to name and shame their friends who share things online that are ‘totally ridiculous’. The push centres on the accusation that people who overuse Facebook and Twitter are boring their friends and urges them to share things ‘really worth sharing, like Pringles’. Central to the activity is a website with a Twitter feed showcasing the most banal tweets, such as: ‘Just eaten a sausage roll!!!’ Visitors to the site can download a Facebook ‘Overshare’ button, which adds to the existing options to ‘like’ and comment on friends’ status updates. When users click on ‘Overshare’, the author of the update will receive a message advising them to seek help at the Pringles website.
Stephen King’s Treasure Hunt
Stephen King’s latest epic is not due to be released until 10 November, but his UK publisher Hodder & Stoughton working with Unity London has launched what it describes as the biggest ever game of literary hide-and-seek. This enables hardcore horror fans to get their hands on it early… as long as they don’t mind a bit of interweb and real world treasure hunting. The 335,114 word novel has been broken down into 5,196 pieces, and, using clues given on the homepage participants are encouraged to hunt them down and deliver them back to the site. These extracts have been scattered across hundreds of websites and locations throughout the UK, including fan, horror, thriller and lifestyle websites. As pieces are found they will appear on http://www.stephenking.co.uk enabling fans to move them around and link them together, gradually forming bigger sections of the book.
The Kindle may not necessarily be the e-reader to bring the technology into the mainstream. That said, publishers seem increasingly certain that the print medium may be in jeopardy, and so many are already experimenting with new multimedia technological enhancements, including FLIPS and Vooks
The integrated campaign for rum brand Kraken from Brooklyn
-based agency Dead As We Know It includes these web films that bring viewers face to beak with the rum’s legendary namesake. The campaign also includes a web site, book and print components.
ABSOLUT Vodka Goes Logoless for a New Campaign
ABSOLUT is going with the ever popular brandless branding for a new limited edition series of bottles. The Swedish vodka maker is going nearly labelless for new campaign against sexual prejudice. The bottles maintain their signature shape, with only a tiny removable sticker at the bottom to identifying alcohol content and volume.
Absolut is one of the brands that some people think better understands the concept of branded content, and this new site for their “Rock edition” vodka bottle, called “You’re with the band”, is another proof of that: a documentary made by Danny Clinch on how’s the life of a rock band such as Wolfmother (site by Great Works)
The British High Court is permitting an injunction to be served to an anonymous user on microblogging site Twitter
. The user, who has been posing as right-wing political blogger Donal Blaney of website Blaney’s Blarney, is accused to breaching Blaney’s copyright. Blaney, who felt the content appearing on Twitter under his name was “mildly objectionable,” approached the courts to find out whether an injunction could be served via the social network — as opposed to contacting Twitter headquarters in California
and entrusting them with managing the issue.
Social Media: How Twitter Makes or Breaks Movie Marketing
Can the so-called Twitter effect boost a movie’s box-office performance faster than any traditional form of word-of-mouth? Not yet, say many top movie marketers and researchers, but the social networking platform’s impact on a studio’s media mix and campaign management has already taken shape.